2022. Connecting Resonances: Sonic Perspectives from the Global South. New York: Bloomsbury Academic (forthcoming).

2021. Sound Production Practices in the Global South: Beyond Immersion (collection of interviews with sound practitioners). London: Palgrave Macmillan (forthcoming).

2020. The Auditory Setting: Environmental Sounds in Film and Media Arts. Edinburgh: Edinburgh University Press (forthcoming).

2020. Sound in Indian Film and Audiovisual Media: History, Practices, and Production. Amsterdam: Amsterdam University Press (forthcoming).

2020. Between the Headphones: Listening to the Sound Practitioner. Newcastle upon Tyne: Cambridge Scholars Publishing (forthcoming).

2020. The Nomadic Listener. Berlin: Errant Bodies Press (in press).

2017. Audible Absence: Searching for the Site in Sound Production (Doctoral Dissertation). Leiden: Leiden University Press (limited edition).

Book chapters:

2020. “The Sonic Drifter: A Psychogeographic Approach to Understand a Re-emerging City”. In Piga, B., Siret, D., and Thibaud, J-P. (Eds.). Experiential Walks: Experiencing, Interpreting, Representing the (Multisensory) Environment. New York: Springer. (in press)

2019. “Uneasy Listening: Perspectives on (Nordic) Sound Art after the Digital”. In Digital Dynamics in Nordic Contemporary ArtBristol: Intellect/The Chicago University Press.

2018. The Well-Tempered City: participation and intervention in sound artLeonardo Electronic Almanac Vol 22, No. 2, Cybernetics Revisited issue. Cambridge, MA: MIT Press.

2018. “Cosmic Resonance: Sounding outside, listening within”, in Stuart Hyatt (ed.), Metaphonics: The Field Works Listener’s Guide. Heijningen: Jap Sam Books.

2017. Hyper-listening: Praxis, in Mateus-Berr, R., and Reitstätter, L. (eds.). Art & Design Education in Times of Change (pp. 171-5). Conversations Across Cultures, Vienna: de Gruyter.

2016. “Endnotes on the Margin of Listening”. In Dirty Ear Report #1 (pp. 60 – 71). Berlin: Errant Bodies Press.

2016. Émergence de nouvelles conceptions sonores”. In Térésa Faucon and Amandine D’Azevedo (eds.), In/dépendances des cinémas indiens. Cartographie des formes, des genres et des régions (pp. 40 – 44). Paris: Presses Sorbonne Nouvelle.

2013. Interview. In Cathy Lane & Angus Carlyle (eds.), In the Field: The Art of Field Recording (pp. 49 – 59). London: Uniformbooks.

Articles in peer-reviewed journals:

2019. Listening in/to Exile: Migration and Media ArtsVIS – Nordic Journal for Artistic Research 2.

2019. Eye Contact with the City: A Discourse on Contemporary Urban Sounds[in]Transition: Journal of Videographic Film & Moving Image Studies 6.2, 2019

2018. Orphan Sounds: Locating Historical Recordings in Contemporary MediaOrganised Sound 23/2: 181 – 188, Cambridge: Cambridge University Press.

2018. The World Within the Home: Tracing the Sound in Satyajit Ray’s FilmsMusic, Sound, and the Moving Image 11/2: 131 – 156. Liverpool: Liverpool University Press.

2017. Reconstructing Atmospheres: Ambient Sound in Film and Media ProductionCommunication and the Public 2/4: 352-364London: SAGE Publication.

2017. Beyond Matter: Object-disoriented Sound ArtSeismograf/DMT (special issue).

2017. Talking Field: Listening to the Troubled Site. Journal for Artistic Research 13.

2016. Being There: Evocation of the Site in Contemporary Indian CinemaJournal of Sonic Studies 12. Leiden: Leiden University Press.

2015. Auditory (Con)texts: Writing on SoundEar │ Wave │ Event, issue 2.

2015. The Auditory Spectacle: designing sound for the ‘dubbing era’ of Indian cinemaThe New Soundtrack 5.1 (pp. 55–68). Edinburgh: Edinburgh University Press.

2014. An Elegy for the City: Composing the Urban CharacterLeonardo Music Journal, Vol. 24, Nr. 12 (pp. 49-51). Cambridge, MA: MIT Press.

2014. Sonic drifting: sound, city and psychogeographySoundEffects vol. 3.3. special issue ‘Urban Sound’ (pp. 138 – 152).

2014. Object-Disoriented Sound: Listening in the Post-Digital ConditionA Peer-reviewed Journal About volume 3, issue 1.

2013. Auditory Situations: Notes from NowhereJournal of Sonic Studies. Vol. 4. Special Issue: Sonic Epistemologies.

2013. The cinematic soundscape: conceptualising the use of sound in Indian filmsSoundEffects, Vol 2, No 2 (pp. 65 – 78).

2012. Sonic menageries: composing the sound of place. Organised Sound, Volume 17, Issue 3 (pp. 223-229). Cambridge: Cambridge University Press.

2007. Sound Memories: In search of lost sounds in Indian cinema, Journal of the Moving Image, issue 6 (pp. 102-111). Kolkata: Jadavpur University Press.

Shorter essays:

2018. Canonization and the Color of Sound StudiesSounding Out!, August.

2017. Against ImmersionSonic Field, August.

2017. “Autolistening”, Exercises in Listening issue 3.

2016. The Politics of Not-listeningSonic Field, November.

2016. Ambient sound: presence, embodiment and the spatial turn, Sonic Field, June.

2014. Budhaditya Chattopadhyay’s Object Disorientation, NY Arts Magazine, April issue.

2014. “The Invisible Sound: A study in the trajectories of sound practice in Indian films by online archival research”, IASA journal No 42, January.

2013. Two thousand and thirteen: the Grande Syntagmatique, or an attempt to provide an exhaustive classification of the segmentation of a yearly narrative, The year in retrospective, Part III, The Field Reporter.

2012. Certain Observations on the Evolution of Sound in Indian CinemaCPH PIX Catalogue, Copenhagen, Denmark.

2012. Soundhunting in a city: chronicles of an urban field recording expedition, Field Notes, issue 03.

2010. Documenting sound: notes from the field, Docschool, Issue January-April. pp. 43-46.

2009. Recording the environment: creating an archive of ambience, IASA Journal, Issue 34, December.

2006. Remembrance of a forgotten melody“, IASA Journal, issue 28, December.

Conference papers:

2019. “Post-immersion”, RE:SOUND, Histories of Media Art, Science and Technology, Aalborg, Aug.

2019. “AI 2.0: Artificial Idiocy and Sound (Art)”, Politics of the Machines, Beirut, May.

2019. “The Brown Canon: Non-Western Perspectives in Sound Studies”, Sonologia, São Paulo, April.

2018. “Sounding the Unsocial: A Nomadic Listener”, Affective Atmospheres, American University of Beirut.

2018. “Mise-en-sonore”, Space, Sound and the Improvisatory, Onassis Cultural Centre, Athens, October.

2018. “Post-immersion”, Global Control, RIXC Art Science Festival, September.

2017. “Against Immersion: Towards a Discursive Situation in Media Art”, inSonic-Festival, ZKM | Center for Art and Media Karlsruhe, December.

2017. “Expanded Object: Rereading the History of Sound Art”, RESONANT WORLDS: Sound, Art & Science / ISACS 2017, ZKM Karlsruhe, September.

2017. “Migration and Media Arts”, University of Cologne, September.

2017. “Decomposing Landscape: Hearing the Troubled Site”, ISEA2017, Manizales, June.

2016. “Making Sites Audible: Ambient Sound in Practice.” Sonologia – Out of Phase: International conference on Sound Studies, São Paulo, November.

2016. “Beyond Matter: Object-disoriented Sound Art”, International conference: Sound Art Matters, Aarhus University, June.

2016. “Unwriting Sound: A Poetic Intervention”, International Conference on Artistic Research, The Royal Academy of Art, and Royal Conservatoire, The Hague, April.

2015. “Writing on Sound/Writing with Sound”, Media Art History Re-CREATE 2015, Hexagram and UQAM, Montréal, November.

2014. “Audible Evidence: Recognition of site in the contemporary sound artworks”, Visible Evidence 21, Jawaharlal Nehru University, New Delhi, December.

2014. “The Sonified Cinema: a study in the emergence of sound in the Indian popular culture”, ADI conference, University of Copenhagen, October.

2014. “From Soundtrack to the Sound Environment: Listening in the Post-digital Cinema”, ESSA2014, Sound Studies Conference, University of Copenhagen, June.

2013. “Auditory (Con)texts: Textualizing the Sonic Phenomena”, International conference: ‘Literature, Media, Sound’, Aarhus University, November .

2013. “Hyper-listening: sound, contemplation and the sonic explosion”, Dirty Ear Forum, Bergen Academy of Art and Design, Norway, November.

2013. “Sonified Cinema”, International conference: ‘Dépendance/Indépendance: les cinémas indiens’, Université Sorbonne nouvelle-Paris 3, France, November.

2013 ‘Subject-Oriented Sound Art: The Curious Case of Auto-Curating’, ISACS, ZKM Karlsruhe, Germany, August.

2012. “Post-cinematic Sound: theorizing sound in the digital realm of cinema”. Conference: ‘Expression, Sensation, Mediation’, Copenhagen, December.

2012. “The Well Tempered City: participation and intervention in sound art”, IMAC Conference/RE-NEW, Aalborg University, Copenhagen, Denmark, November.

2012. “Sonification of Cinema: studying the use of location sound in Indian films”, Music & The Moving Image conference proceedings, June, NYU, New York.

2011. “Archive as social media lab: Creative dissemination of digital sound and audiovisual collection”, IASA conference proceedings. Frankfurt Am Main, Germany.