2017. “Uneasy Listening: Perspectives on (Nordic) Sound Art after the Digital”. In Digital Dynamics in Nordic Contemporary Art. Bristol: Intellect Books (in press).
2017. “Hyper-listening: Praxis”. In Mateus-Berr, R., and Reitstätter, L. (eds.). Art & Design Education in Times of Change (pp. 171-5). Conversations Across Cultures, Vienna: de Gruyter.
2016. “The Well Tempered City: participation and intervention in sound art”, Leonardo Electronic Almanac, The Cybernetic Issue, Volume 21 No. 2. MA: MIT Press (in press).
2016. “Endnotes on the Margin of Listening”. In Dirty Ear Report #1 (pp. 60 – 71). Berlin: Errant Bodies Press.
2016. “Émergence de nouvelles conceptions sonores”. In Térésa Faucon and Amandine D’Azevedo (eds.), In/dépendances des cinémas indiens. Cartographie des formes, des genres et des régions (pp. 40 – 44). Paris: Presses Sorbonne Nouvelle.
Articles in peer-reviewed journals:
2017. “Talking Field: Listening to the Troubled Site.” Journal for Artistic Research 13.
2017. “Beyond Matter: Object-disoriented Sound Art.” Seismograf/DMT (in press).
2017. “Reconstructing Atmospheres: Ambient Sound in Film and Media Production.” Communication and the Public. London: SAGE Publication (submitted).
2017. “The World Within the Home: Tracing the Sound in Satyajit Ray’s Films”. Music, Sound, and the Moving Image. Liverpool: Liverpool University Press (submitted).
2016. “Being There: Evocation of the Site in Contemporary Indian Cinema”. Journal of Sonic Studies 12. Leiden: Leiden University Press.
2015. Auditory (Con)texts: Writing on Sound. Ear │ Wave │ Event, issue 2.
2015. The Auditory Spectacle: designing sound for the ‘dubbing era’ of Indian cinema. The New Soundtrack 5.1 (pp. 55–68). Edinburgh: Edinburgh University Press.
2014. An Elegy for the City: Composing the Urban Character, Leonardo Music Journal, Vol. 24, Nr. 12 (pp. 49-51). Cambridge, MA: MIT Press.
2014. Sonic drifting: sound, city and psychogeography. SoundEffects vol. 3.3. special issue ‘Urban Sound’ (pp. 138 – 152).
2014. Object-Disoriented Sound: Listening in the Post-Digital Condition. A Peer-reviewed Journal About volume 3, issue 1.
2013. Auditory Situations: Notes from Nowhere. Journal of Sonic Studies. Vol. 4. Special Issue: Sonic Epistemologies.
2013. The cinematic soundscape: conceptualising the use of sound in Indian films. SoundEffects, Vol 2, No 2 (pp. 65 – 78).
2012. Sonic menageries: composing the sound of place. Organised Sound, Volume 17, Issue 3 (pp. 223-229). Cambridge: Cambridge University Press.
2007. Sound Memories: In search of lost sounds in Indian cinema, Journal of the Moving Image, issue 6 (pp. 102-111). Kolkata: Jadavpur University Press.
2017. “Autolistening”, Exercises in Listening issue 3.
2016. The Politics of Not-listening, Sonic Field, November.
2016. Ambient sound: presence, embodiment and the spatial turn, Sonic Field, June.
2014. Budhaditya Chattopadhyay’s Object Disorientation, NY Arts Magazine, April issue.
2014. “The Invisible Sound: A study in the trajectories of sound practice in Indian films by online archival research”, IASA journal No 42, January.
2013. Two thousand and thirteen: the Grande Syntagmatique, or an attempt to provide an exhaustive classification of the segmentation of a yearly narrative, The year in retrospective, Part III, The Field Reporter.
2012. Certain Observations on the Evolution of Sound in Indian Cinema, CPH PIX Catalogue, Copenhagen, Denmark.
2012. Soundhunting in a city: chronicles of an urban field recording expedition, Field Notes, issue 03.
2010. “Documenting sound: notes from the field“, Docschool, Issue January-April. pp. 43-46.
2009. Recording the environment: creating an archive of ambience, IASA Journal, Issue 34, December.
2006. “Remembrance of a forgotten melody“, IASA Journal, issue 28, December.
2017. “Expanded Object: Rereading the History of Sound Art”, RESONANT WORLDS: Sound, Art & Science / ISACS 2017, ZKM Karlsruhe, 28-30 September 2017 (accepted).
2017. “Migration and Media Arts”, University of Cologne, September (accepted).
2017. “Decomposing Landscape: Hearing the Troubled Site”, ISEA2017, Manizales, June.
2016. “Making Sites Audible: Ambient Sound in Practice.” Sonologia – Out of Phase: International conference on Sound Studies, São Paulo, November.
2016. “Beyond Matter: Object-disoriented Sound Art”, International conference: Sound Art Matters, Aarhus University, June.
2016. “Unwriting Sound: A Poetic Intervention”, International Conference on Artistic Research, The Royal Academy of Art, and Royal Conservatoire, The Hague, April.
2015. “Writing on Sound/Writing with Sound”, Media Art History Re-CREATE 2015, Hexagram and UQAM, Montréal, November.
2014. “Audible Evidence: Recognition of site in the contemporary sound artworks”, Visible Evidence 21, Jawaharlal Nehru University, New Delhi, December.
2014. “The Sonified Cinema: a study in the emergence of sound in the Indian popular culture”, ADI conference, University of Copenhagen, October.
2014. “From Soundtrack to the Sound Environment: Listening in the Post-digital Cinema”, ESSA2014, Sound Studies Conference, University of Copenhagen, June.
2013. “Auditory (Con)texts: Textualizing the Sonic Phenomena”, International conference: ‘Literature, Media, Sound’, Aarhus University, November .
2013. “Hyper-listening: sound, contemplation and the sonic explosion”, Dirty Ear Forum, Bergen Academy of Art and Design, Norway, November.
2013. “Sonified Cinema”, International conference: ‘Dépendance/Indépendance: les cinémas indiens’, Université Sorbonne nouvelle-Paris 3, France, November.
2013 ‘Subject-Oriented Sound Art: The Curious Case of Auto-Curating’, ISACS, ZKM Karlsruhe, Germany, August.
2012. “Post-cinematic Sound: theorizing sound in the digital realm of cinema”. Conference: ‘Expression, Sensation, Mediation’, Copenhagen, December.
2012. “The Well Tempered City: participation and intervention in sound art”, IMAC Conference/RE-NEW, Aalborg University, Copenhagen, Denmark, November.
2012. “Sonification of Cinema: studying the use of location sound in Indian films”, Music & The Moving Image conference proceedings, June, NYU, New York.
2011. “Archive as social media lab: Creative dissemination of digital sound and audiovisual collection”, IASA conference proceedings. Frankfurt Am Main, Germany.