Book chapter: “Cosmic Resonance: Sounding outside, listening within”, in Stuart Hyatt (ed.), Metaphonics: The Field Works Listener’s Guide. Heijningen: Jap Sam Books. Sept 2018
Presentation: “Post-immersion: Towards a Discursive Situation in AR/VR”, GLOBAL CONTROL, the 3rd Open Fields conference, RIXC Art Science Festival, September 2018.
Exhibition: Echoing Field, Weltkunstzimmer, Düsseldorf, September – November 2018.
Exhibition: Expanded Object, The Grey Space in the Middle, Den Haag, September 2018.
New publication: Orphan Sounds: Locating historical recordings in contemporary media, Organised Sound 23(2): 181 – 188, Cambridge: Cambridge University Press, August 2018.
Essay: Canonization and the Color of Sound Studies, Sounding Out!, August 2018.
Residency: Liminaria 2018, Guardia Sanframondi, South Italy, July 2018.
Concert: “A Nomad’s Guide to Listening”, Ephémère, The Hague, June 2018
Concerts and workshop: Baltic Tour – Riga, May – June 2018.
Exhibition: Expanded Object, Foreningen for Samtidskunst, Copenhagen, April 2018.
Publication: The Well Tempered City: participation and intervention in sound art, Leonardo Electronic Almanac 22(2), (Cybernetics Revisited). Cambridge, MA: MIT Press.
Presentation: “Against Immersion: Towards a discursive situation in media art”, inSonic2017, ZKM Karlsruhe, December 2017.
Workshop: Hyper-listening: Praxis, inSonic2017, ZKM Karlsruhe, December 2017.
Publication: The World Within the Home: Tracing the Sound in Satyajit Ray’s Films. Music, Sound, and the Moving Image 11/2: 131 – 156. Liverpool University Press.
Publication: “Beyond Matter: Object-disoriented Sound Art.” Seismograf/DMT (special issue: Sound Art Matters), November 2017.
Publication. “Reconstructing Atmospheres: Ambient Sound in Film and Media Production.” Communication and the Public 2/4: 352 – 364. London: SAGE Publication. 2017.