New publication: The Well Tempered City: participation and intervention in sound art, Leonardo Electronic Almanac 21(2), (Cybernetics Revisited issue). Cambridge, MA: MIT Press.
Presentation: “Against Immersion: Towards a discursive situation in media art”, inSonic2017: Immersive Future, ZKM Karlsruhe, Dec 2017.
Workshop: Hyper-listening: Praxis, inSonic2017: workshops, ZKM Karlsruhe, Dec 2017.
Publication: “Beyond Matter: Object-disoriented Sound Art.” Seismograf/DMT (special issue: Sound Art Matters), November 2017.
Publication. “Reconstructing Atmospheres: Ambient Sound in Film and Media Production.” Communication and the Public 2/4: 352 – 364. London: SAGE Publication. 2017.
Presentation: “Expanded Object: Rereading the History of Sound Art”, ISACS17 – Resonant Worlds: Sound, Art & Science, ZKM Karlsruhe, 28 – 30 September 2017.
Live act: Nacht van Kunst & Kennis, Leiden, September 2017.
New essay: Against Immersion, Sonic Field, August 2017.
Broadcast: documenta14 (public radio), July 2017.
New publication: autolistening, Exercises in Listening issue 3
New release on Vinyl: Elements Songcycle, June 2017.
Exhibition and presentation: “Decomposing Landscape“, ISEA2017, Manizales, June 2017.
Concert intervention: SPEKTRUM Berlin, June 2017.
Solo concert: “Listening and its discontents“, Alte Feuerwache, Köln, May 2017.
Artist’s talk: Goethe University Frankfurt, May 2017.
Publication: “Talking Field: Listening to the Troubled Site.” Journal for Artistic Research 13, April 2017.
Lecture-concert/artistic presentation: The Hague, March 2017.