Current

Book: The Nomadic Listener, Errant Bodies Press 2020. Chattopadhyay

Exhibition: Dhvāni, EXPERIMENTA Arts & Sciences Biennale, Atelier Arts Sciences, Grenoble, February 2020.

Talk: Herb Alpert School of Music, UCLA, 2nd Dec 2019.

Solo Concert: Harvestworks, New York City, 1st Dec 2019.

Presentation: Center for Experimental Ethnography, University of Pennsylvania. 26 Nov 2019.

Exhibition: Expanded Object, ACPA, Leiden, Oct’19 – Jan’20.

Interview: Jegens & Tevens arts magazine, October 2019.

New publication: “Listening in/to Exile: Migration and Media Arts.” VIS – Nordic Journal for Artistic Research issue 2.

Concert: Phonophon, INM, Frankfurt AM, September 2019.

Talk, Workshop, and Concert: Connecting Resonances, Raum-Musik, Musiksaal, University of Cologne, 27 September 2019.

Artist Residency and Concert: iii, Den Haag, September – October 2019.

Artist Residency and Concert: La Place, Barcelona, September 2019.

Concert: Convergence festival 2019, De Montfort University, Leicester, September 2019.

Solo Exhibition: Machine PoetryAkusmata, Helsinki, August – September 2019.

Workshop: Music, Sound and Wellbeing, University of Eastern Finland, Joensuu, Sept2019

Lecture-performance: Unperforming Sound: from the Margins of Artistic Research, Kiasma Museum/University of the Arts, Helsinki, August 2019

Talk, Exhibition and Performance: Post-immersion: Towards a discursive situation in sound and media art, RE:SOUND, Media Art History conference 2019, Aalborg University.

Exhibition: Uncommon Nature, Blindside, June – Oct 2019

Lecture-performance: “AI 2.0: Artificial Idiocy and Sound (Art)” at Politics of the Machines, Beirut, 11 – 14 June 2019.

Publication: Eye Contact with the City: A Discourse on Contemporary Urban Sounds[in]Transition: Journal of Videographic Film & Moving Image Studies 6.2, 2019

Symposium: Transformations of the Audible, The Royal Academy of Art Den Haag, The Royal Conservatoire, and WEST Den Haag, 16 – 18 May 2019.

Curatorial Intervention, Workshop & Concert: La Semaine du Son, Beirut, 8-15 May 2019.

Talk: Listening from the Balcony: Affective Resonances of the Contemporary Time, Center for Arts and Humanities, American University of Beirut, 18 April 2019.

Talk: The Brown Canon: Non-Western Perspectives in Sound Studies, Sonologia, University of São Paulo, 9 – 12 April 2019.

Solo Concert: estudiofitacrepe, São Paulo, April 2019

Solo Concert: Irtijal Festival, Beirut, March 2019.

Artist Residency: Le Cube, Rabat, March 2019.

Workshop and Seminar: Connecting Resonances I: Beirut, American University of Beirut, with Prof. Brandon LaBelle, 21 – 26th February 2019.

Publication: “Uneasy Listening: Perspectives on (Nordic) Sound Art after the Digital”, in Ag, Tanya Toft.  (ed.), Digital Dynamics in Nordic Contemporary ArtBristol: Intellect/The Chicago University Press. February 2019.

Exhibition: Serendipity Arts Festival, Goa, December 2018.

Seminar: Affective Atmospheres: Site-specific sound, neighborhood music and the social formation, Center for Arts and Humanities, American University of Beirut, November’18

Conference Presentation: “Mise-en-sonore: Improvising with Space in Sound Art,” in Space, Sound and the Improvisatory, Οnassis Cultural Centre, Athens, October 2018.

Concert: LMTA Muzikos inovacijų studijų centras – Music Innovation Studies Centre, Vilnius, October 2018.

Essay/chapter: “Cosmic Resonance: Sounding outside, listening within”, in Stuart Hyatt (ed.), Metaphonics: The Field Works Listener’s Guide. Heijningen: Jap Sam Books. Sept 2018

Presentation: “Post-­immersion: Towards a Discursive Situation in AR/VR”, GLOBAL CONTROL, the 3rd Open Fields conference, RIXC Art Science Festival, September 2018.

Exhibition: Echoing Field, Weltkunstzimmer, Düsseldorf, September – November 2018.

Installation: Expanded Object, The Grey Space in the Middle, Den Haag, September 2018.

Publication: Orphan Sounds: Locating historical recordings in contemporary media, Organised Sound 23(2): 181 – 188, Cambridge: Cambridge University Press, August 2018.

Publication: The Well Tempered City: participation and intervention in sound artLeonardo Electronic Almanac 22(2), (Cybernetics Revisited). Cambridge, MA: MIT Press.