Current

PosterSymposium: Transformations of the Audible, Royal Academy of Art and WEST Den Haag, 16 – 18 May 2019.

Curatorial Intervention, Workshop, and Live Concert in public spaces: La Semaine du Son, Beirut, 8 – 15 May 2019.

Talk: Listening from the Balcony: Affective Resonances of the Contemporary Time, American University of Beirut.

Talk: The Brown Canon: Non-Western Perspectives in Sound Studies, Sonologia, University of São Paulo, 9 – 12 April 2019.

Solo Concert: estudiofitacrepe, São Paulo, April 2019

Solo Concert: Irtijal Festival, Beirut, March 2019.

Artist Residency: Le Cube, Rabat, March 2019.

Workshop and Seminar: Connecting Resonances I: Beirut, American University of Beirut, with Prof. Brandon LaBelle, 21 – 26th February 2019.

New Publication: “Uneasy Listening: Perspectives on (Nordic) Sound Art after the Digital”, in Ag, Tanya Toft.  (ed.), Digital Dynamics in Nordic Contemporary ArtBristol: Intellect/The Chicago University Press. February 2019.

Exhibition: Serendipity Arts Festival, Goa, December 2018.

Seminar: Affective Atmospheres: Site-specific sound, neighborhood music and the social formation, Center for Arts and Humanities, American University of Beirut, November’18

Conference Presentation: “Mise-en-sonore: Improvising with Space in Sound Art,” in Space, Sound and the Improvisatory, Οnassis Cultural Centre, Athens, October 2018.

Concert: LMTA Muzikos inovacijų studijų centras – Music Innovation Studies Centre, Vilnius, October 2018.

Essay/chapter: “Cosmic Resonance: Sounding outside, listening within”, in Stuart Hyatt (ed.), Metaphonics: The Field Works Listener’s Guide. Heijningen: Jap Sam Books. Sept 2018

Presentation: “Post-­immersion: Towards a Discursive Situation in AR/VR”, GLOBAL CONTROL, the 3rd Open Fields conference, RIXC Art Science Festival, September 2018.

Exhibition: Echoing Field, Weltkunstzimmer, Düsseldorf, September – November 2018.

Installation: Expanded Object, The Grey Space in the Middle, Den Haag, September 2018.

Publication: Orphan Sounds: Locating historical recordings in contemporary media, Organised Sound 23(2): 181 – 188, Cambridge: Cambridge University Press, August 2018.

Essay: Canonization and the Color of Sound StudiesSounding Out!, August 2018.

Residency: Liminaria 2018, Guardia Sanframondi, South Italy, July 2018.

Concert and workshop: Jardins Efémeros festival, Portugal, July 2018.

Concert: “A Nomad’s Guide to Listening”, Ephémère, The Hague, June 2018

Concerts and workshop: Baltic Tour – Riga, May – June 2018.

Exhibition: Expanded Object, Foreningen for Samtidskunst, Copenhagen, April 2018.

Publication: The Well Tempered City: participation and intervention in sound artLeonardo Electronic Almanac 22(2), (Cybernetics Revisited). Cambridge, MA: MIT Press.