Book: Sound Practices in the Global South: Co-listening to Resounding Plurilogues. London: Palgrave Macmillan (2022).
Book/Monograph: The Auditory Setting: Environmental Sounds in Film and Media Arts (2021). Edinburgh: Edinburgh University Press (paperback edition out in February 2023).
Book chapter: Co-listening: Theory and Practice, in LaBelle, Brandon (ed.), The Listening Biennial Reader. Berlin: Errant Bodies Press. January 2023.
Essay: Re-sounding Souths, CTM Festival Journal, January 2023.
Essay: Sound from the Ground: Pre-modern Sonic Practices, Write Art Connect, Serendipity Arts, October 2022.
Paper: On Pre-colonial Indigenous (Sound) Technologies, in Proceedings of Politics of the Machines – Rogue Research (POM 2021). Berlin: BCS Learning & Development Ltd.
Symposium/gathering: Soundings, Akademie der Künste Berlin, 21 – 25 August 2022.
Workshop: Audio Leakage, Berlin School of Sound, July 2022.
Talk, Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, 6 May 2022.
Guest Lecture, Department of Film and Media, UC Berkeley, 5 May 2022.
Concert Performance: CTM Festival, Berlin, January 2022.
Talk: Connecting Resonances, Sound in Artistic Research, Universität der Künste Berlin January 2022.
Talk: Sonification of Environments: Contemporary Film Sound Research, ACPA, Leiden University, January 2022.
Publication: Room Ambience: Home as Heard in Film and Media Arts. Journal of Sonic Studies 22 (Special Issue: Home), January 2022.
Interview: Silhouette Magazine, December 2021.
Publication: Uncolonising Early Sound Recordings. The Journal of Media Art Study and Theory Vol. 2, No. 2 (Special Issue: Sound, Colonialism, and Power), December 2021.