Doors of Nothingness

The project (con)textualizes the contemplative dissociations and the elevated states resulting from shifting navigation of a nomadic listener across various intercepting sites that are perceived as present but disorienting auditory situations in the contemporary condition of mobility and placeless-ness. The project explores the mindful listening embraced by the nomadic listener on the margin of ephemeral and contingent environments of everyday, being geared towards a fluid and mutating interpretation of sound. This mode of listening is termed hyper-listening  a conceptual premise that prompts the listener to transcend the epistemological and ontological constrains of sound.


Exile and Other Syndromes‘ (2016), Kunstuniversität Graz.

The Room within a View’ (2013), May 15th – June 15th, The Widget Art Gallery (for iPhone, iPod touch, iPad and other MAC OS platforms)

Listening and its discontents‘ (2013), January 27th – February 3rd, Dirty Ear Forum (sound, multiplicity and radical listening), Errant Bodies (Kollwitzstrasse 97, 10435 Berlin) as part of the reSource 003: P2P Vorspiel presented by Transmediale 2013 ( and CTM.13 (


Auditory (Con)texts: Writing on Sound‘, Ear │ Wave │ Event, issue 2. May 2015.

Sonic drifting: sound, city and psychogeography‘, SoundEffects vol. 3.3. special issue on Urban Sounds, 2014.

Object-disoriented sound: listening in the post-digital condition‘, APRJA, volume 3, issue 1, March 2014.

Auditory (Con)texts: Textualizing the Sonic Phenomena‘, presented at ‘Literature, Media, Sound‘, Aarhus University, 28-30 November 2013.

Subject-oriented Sound Art: The Curious Case of Auto-curating‘, presented at ISACS: ‘Sound Art Curating’, ZKM Karlsruhe, August, 2013.

Auditory Situations: Notes from Nowhere‘. Journal of Sonic Studies. Vol. 4. Issue 1. 2013. Special Issue: Sonic Epistemologies.

jərˈmān, June edition, 2012, English Department, University of Montana.


audiot, interactive app, 2014- (in development with potential partners).


hyper-listening: praxis, volume I, Overgaden, Institute of Contemporary Art, Copenhagen, Denmark. 13 February 2014.

hyper-listening: praxisvolume II, Q-02, Brussels, 16 April 2016.


A video-work ‘Between the Waves‘ capturing the development of the project, was exhibited at Kunsthal Charlottenborg, Copenhagen, March, 2013.