Doors of Nothingness


The project (con)textualizes the contemplative dissociations and the elevated states resulting from shifting navigation of a nomadic listener across various intercepting sites that are perceived as present but disorienting auditory situations in the contemporary condition of mobility and placeless-ness. The project explores the mindful listening embraced by the nomadic listener on the margin of ephemeral and contingent environments of everyday, being geared towards a fluid and mutating interpretation of sound. This mode of listening is termed hyper-listening  a conceptual premise that prompts the listener to transcend the epistemological and ontological constrains of sound.


The Unspoken, The Ineffable (2018), Serendipity Arts Festival, Goa, December.

Exile and Other Syndromes (2017), Rogaland Kunstsenter as part of the Screen City Biennial, Stavanger, Norway, 12 – 31 October.

Exile and Other Syndromes (2016), CUBE, Kunstuniversität Graz.

The Room within a View (2013), May 15th – June 15th, The Widget Art Gallery (for iPhone, iPod touch, iPad and other MAC OS platforms)

Listening and its discontents‘ (2013), January 27th – February 3rd, Dirty Ear Forum (sound, multiplicity and radical listening), Errant Bodies (Kollwitzstrasse 97, 10435 Berlin) as part of the reSource 003: P2P Vorspiel presented by Transmediale 2013 ( and CTM.13 (


Auditory (Con)texts: Writing on Sound‘, Ear │ Wave │ Event, issue 2. May 2015.

Sonic drifting: sound, city and psychogeography‘, SoundEffects vol. 3.3. special issue on Urban Sounds, 2014.

Object-disoriented sound: listening in the post-digital condition‘, APRJA, volume 3, issue 1, March 2014.

Auditory (Con)texts: Textualizing the Sonic Phenomena‘, presented at ‘Literature, Media, Sound‘, Aarhus University, 28-30 November 2013.

Subject-oriented Sound Art: The Curious Case of Auto-curating‘, presented at ISACS: ‘Sound Art Curating’, ZKM Karlsruhe, August, 2013.

Auditory Situations: Notes from Nowhere‘. Journal of Sonic Studies. Vol. 4. Issue 1. 2013. Special Issue: Sonic Epistemologies.

jərˈmān, June edition, 2012, English Department, University of Montana.


audiot, interactive app, 2014- (in development with potential partners).


hyper-listening: praxis, volume I, Overgaden, Institute of Contemporary Art, Copenhagen, Denmark. 13 February 2014.

hyper-listening: praxisvolume II, Q-02, Brussels, 16 April 2016.


A video-work ‘Between the Waves‘ capturing the development of the project, was exhibited at Kunsthal Charlottenborg, Copenhagen, March, 2013.